5 of these 17 are free, take one sitting, and pay you for music you have already released.
A label keeps people whose whole job is the board below. An independent artist is left to find it one accident at a time. The levers are sorted by what they actually do, and the ones at the top are collecting against your name right now, whether or not you ever signed up.
- 17
- levers on the board
- 5
- free, one sitting, retroactive
- 6
- close on a deadline
- 4
- where everyone actually works
Money already earned
6 levers · 6 pay on music already outRoyalties accruing against your name whether or not you ever registered. Nobody forwards it to you.
The paperwork that makes you payable
4 levers · 3 pay on music already outIdentifiers and rights records. Without them the money above has nothing to match against.
Gates you either clear or miss
3 levers · 2 pay on music already outThresholds and windows. Each is binary, and several close on a date.
The work that grows reach
4 leversContinuous, unbounded, and where nearly every independent artist spends all of their attention.
Each lever names its source. Figures verified 17 August 2026 against SoundExchange, The MLC, Spotify for Artists and the RIAA. Terms change, so confirm on the official pages before you rely on them. This is general information, not legal or financial advice.
The bottom band is the one you cannot finish.
Everything above it you can close in an afternoon each and never think about again. Reach is the part with no ceiling and no instructions. That is where Opah works: reading what the artists in your lane actually run, and telling you what to do about it.