Use cases

Opah for artist managers: every artist on the roster, and the artists they compete with, read daily

An artist manager uses Opah as one axis for the whole roster: every artist you manage and the artists each one competes with, read on the same schedule with nothing to connect. The dashboard ranks the movers each morning; each artist has a page and a Playbook; every Meta ad any of them runs is kept and dated beside the Spotify series.

$0.99 a month for your first 3 months on Opah Core, then $19. Cancel any time. Chartmetric is $60 a month for 10 artists; Opah is $19 for 3 or $39 for 10.

Start for $0.99 See the plans

An independent with about 27K monthly listeners: the popularity score

A headliner with 24.6M monthly listeners: the world rank

Two artists from one niche, June to early September, anonymised: the score moved 24 to 28 and back, the rank 270 to 332. Same days, same axis, nothing connected by either artist.

Measured 3 September 2026, artists anonymised.

Two ends of the roster, same days, same axis

A roster is uneven, and Opah reads whatever each artist has. The independent with no Spotify rank has a popularity score that moved across a release; the headliner has a rank that moved 270 to 332. Both sit on one axis over the same days, and the ratios that hold across sizes, fan conversion, plays per listener, audience against output, make the two comparable where raw counts cannot.

Put each artist’s competitors in their Playbook and the roster reads as a set of markets, each with its own openings and its own creative recipes.

A manager's week in Opah

What the product gives a manager each day of the week.

Monday: The movers: every artist you track ranked by the change in their Spotify numbers since last week; Dashboard
Tuesday: The ads the competitors started: format, first line, button, destination, on each artist's Playbook; Meta ads
Midweek: Each artist's cadence and format read against the niche's, and audience against output per platform; Behavior
Release week: Ads and posts set against release day beside the niche's release cycle; the link page for the release; Release cycle, Smart links
Friday: The Next Moves on each Playbook: the market, the creative, the button the data supports; Next Moves
Any day: Each artist's page with the day of its last read per platform printed; Artist analytics

The release cycle, for the roster and for the niche

The same instrument for an artist you manage and for the artists they study.

Ads above the line, posts below it, 21 days either side of release day. For the artists Opah tracks, both peak on the day and the ads keep starting into the second week. A manager reads the niche’s curve before setting an artist’s start day, then reads the artist’s own curve after the release to see how it compared.

ads startedposts publishedEach series is scaled to its own busiest day

-21

-14

-7

release

+14

+21

Days with activity as a table

Day	Ads started	Posts
-21	30	8
-20	13	8
-19	17	8
-18	34	7
-17	57	10
-16	28	10
-15	52	13
-14	47	11
-13	40	11
-12	23	8
-11	41	7
-10	134	12
-9	230	16
-8	111	23
-7	106	22
-6	54	11
-5	31	18
-4	79	25
-3	90	22
-2	156	27
-1	196	26
release	423	94
+1	141	29
+2	108	26
+3	165	29
+4	171	29
+5	158	15
+6	230	23
+7	199	31
+8	44	22
+9	76	26
+10	99	19
+11	155	17
+12	172	28
+13	267	19
+14	131	12
+15	40	16
+16	16	7
+17	41	7
+18	80	7
+19	50	9
+20	29	9
+21	44	10

113 releases with ads and 145 with posts, 21 days either side, every artist Opah tracks with a dated release, aggregated and anonymous. Both peak on release day; the median ad starts 2 days after it, the median post lands on it, and the ads keep starting through day +13.

The plan that fits

Three plans, priced by how many artists you track. Every plan reads every platform.

Opah Pro

$39a month

10 artists, every platform, cancel any time

Opah Core: $19 a month for 3 artists
Opah Suite: $89 a month for 30 artists

Ten slots: three or four artists you manage and the two competitors each one studies, in a Playbook per artist. Every slot reads every platform; a slot can be swapped when the roster changes.

A larger roster, or a label, takes the thirty-artist plan.

Opah for the other roles

The same product and the same plans. Each role has its own page.

The pages behind this one

Each read a manager makes has its own page: comparing artists, the Playbook, the release rollout as the market runs it, and what the artists in a niche run on Meta.