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Opah

Use cases

Opah for record labels: a roster of thirty, each artist beside the artists it competes with

A record label uses Opah as thirty slots read on one schedule: the signed artists and the artists each one competes with, in a Playbook per niche. The markets team reads where each niche is heard and which cities are open; the marketing team reads every Meta ad the competition runs, kept and dated, and the creative it keeps running; A&R tracks a shortlist it already knows of.

$0.99 a month for your first 3 months on Opah Core, then $19. Cancel any time. Chartmetric is $60 a month for 10 artists; Opah is $19 for 3 or $39 for 10.

Video ads on the market panel
72%
Ads
11,992
Artists
60
  • Video72%
  • Single image26%
  • Carousel1%
Every ad started in 12 months by the 60 charting artists on Opah’s market panel, by format. The vision read then says what is inside each one.

Measured , the market panel, artists aggregated.

What the competition runs, before the budget is set

Across 60 charting artists on Opah’s market panel, video is the format, and by genre the share runs from 80% in country to 53% in R&B. The same five reads, the format, the first line, the button, where the click goes and when ads start around a release, run for every artist a label adds, so a campaign is briefed from what the niche does rather than from habit.

The yearly edition breaks the five reads down by genre; the first-campaign guide turns them into a brief.

A label's roster in Opah, team by team

Who reads what, on the same thirty slots.

Marketing
Every Meta ad the competition runs: format, copy, button, destination, dates, placements, the creative read; Creative Recipes per niche
Meta ads, Ad creative analysis
Markets and touring
Each city's share of each artist's listeners against the roster; openings, contested and emerging markets; EU and UK ad reach by country
Market affinity
Digital
Cadence, the format that lands and audience against output for every artist and every competitor
Audience engagement
Release campaigns
Ads and posts set against release day, for the artist and for the niche; a link page per release with first-party geography
Release cycle, Smart links
A&R
A shortlist of artists already known to the team, read daily beside the roster: Spotify series, ads, cadence. No discovery
Artist analytics
Management
The movers each morning, every artist ranked by the change in their Spotify numbers
Dashboard

The markets that are open

Cities the niche is heard in and one artist is not.

For one artist, the four artists it studies all have Spotify listeners in Melbourne and the artist has none; three of four in São Paulo; two in Mexico City. A label reads the same board for every artist on the roster, with the competitors active in each city and the 28-day change, before a tour or a market budget is set.

Market openings for one artist
3cities
Peers studied
4
Strongest
Melbourne, 4 of 4
  1. Melbourne4 of 4
  2. São Paulo3 of 4
  3. Mexico City2 of 4
Cities where the four artists one independent studies have measurable Spotify listeners and that artist has none, anonymised. In the product the same read runs across every city in the niche’s top fives.

The plan that fits

Three plans, priced by how many artists you track. Every plan reads every platform.

Opah Suite
$89a month
30 artists, every platform, cancel any time
  • Opah Core: $19 a month for 3 artists
  • Opah Pro: $39 a month for 10 artists

Thirty slots: the roster and the two or three competitors each artist studies, in Playbooks by niche. Every slot reads Spotify daily and the Meta ads, Instagram, TikTok and YouTube every 72 hours.

A larger roster is a conversation; the support address is in the footer.

The pages behind this one

Each team’s read has its own page: the creative analysis, the markets, the engagement reads, and the yearly edition of what charting artists ran on Meta, by genre.

Questions

More on the FAQ.

How does a label use thirty slots?
Signed artists and the artists each one competes with, in Playbooks by niche: a Playbook per release campaign or per genre team. Every slot reads every platform daily or every 72 hours, with nothing connected and no artist asked for a login. Plans start at $19 a month for 3 artists; the thirty-artist plan fits a label.
Can A&R use Opah to find artists?
No. Opah has no discovery: you name the artists and it reads them. What A&R can do is track a shortlist of unsigned artists it already knows of, read daily beside the roster, with their Spotify series, their ads and their cadence, before a conversation.
What does the marketing team get?
Every Meta ad a competing artist's page runs, kept and dated with its format, first line, button, destination and placements, and a creative read of each one; Creative Recipes rank what the niche kept running longest, within each artist first.
What does Opah show about markets?
Each city's share of each artist's Spotify listeners against the whole roster, the 28-day change and which competitors are active there, so a city reads as an opening, contested or emerging; for ads delivered in the EU and UK, Meta's own reach by country, age and gender.
Does Opah report spend or results for other labels' campaigns?
No. It shows what ran, where it sent people and for how long. An ad a label keeps running for months is one it kept paying for, and that is the signal; the spend and the sales figures stay with the label.

Thirty artists, every platform, nothing to connect

The first numbers arrive the same day.

$0.99 a month for your first 3 months on Opah Core, then $19. Cancel any time. Chartmetric is $60 a month for 10 artists; Opah is $19 for 3 or $39 for 10.